Selfhood On the English Stage in the XVIth and XVIIth Centuries

Études réunies par Pauline Blanc

Publié le 16 mai 2008
Selfhood On the English Stage in the XVIth and XVIIth Centuries

Selfhood On the English Stage in the XVIth and XVIIth Centuries

Selfhood On the English Stage in the XVIth and XVIIth Centuries

Communications prononcées au colloque international organisé à l'Université Jean Moulin-Lyon 3 les 7-8 avril, 2006.

Présentation de Pauline Blanc

Textes d'André Lascombes, Norah Yvonne Phoenix,  Jean-Paul Debax, Francis Guinle,  Marie-Hélène Besnault, Greg Walker, Richard Hillman, Ladan Niayesh, Isabelle Schwartz-Gastine, Peter J. Smith,  Gordon McMullan, Danièle Berton-Charrière, François Laroque, Josée Nuyts-Giornal

This collection of papers, all in English, on the theme of representations of the self on the early modern English stage, is concerned with the influences that shaped the fictional constructs which inhabited the drama of the sixteenth and seventeenth centuries. The authors of this volume, all established academics, offer a wide spectrum of views, discussing a range of dramatic texts from medieval cycle plays to the work of Tourneur and Jonson. The authors seek to add a further contribution to the growing body of criticism that investigates the multi-facetted and multi-layered nature of early modern subjectivity.

Lyon : Publications de l'Université Jean Moulin-Lyon 3 ISBN 978-2-916377-58-2 - Parution 2007 - 254 pages - Tarif 15 €


Mise à jour : 16 mai 2008